“Heart-Art“To return to love the theater, to” strike the heart “and bring young people back to the theater, with discounted and super discounted tickets, even for 3 euros,” you have to convince the kids that the ticket is worth a spritz “. President Beltotto is radiant, the opera and prose season 2022-2023 of Stable in the Veneto region to the Of the Monaco of Treviso, (the dance and concert program is about to be completed and will be presented in September) is a mix of well-known faces and some news, from Alessandro Preziosi to Alessio Boni, and then Claudio Bisio, a “double” Vanessa Gravina engaged in two plays , the “queen” Maria Paiato struggling with Mamet, then Moni Ovadia, Maddalena Crippa, Mariano Rigillo, Giuseppe Cederna, Elio De Capitani and Ferdinando Bruni. And then the added value offered only by the Treviso theater, the season lyric which will open in the name of Mario Del Monacowith a gala in memory of the great tenor scheduled for October 16 in which his son will collaborate Giancarlo and the niece Donella. In the program conceived by Stefano Canazza there are “Rigoletto” (4-6 November) and “Trovatore” (17-19 February 2023), and also “I Capuletti ei Montecchi” (2-4 December) at the center of the Toti Dal Monte Competition. And last night, full theater for the presentation of the season to Treviso, complete with a good luck final toast.
PLAN
Beltotto applauds the Municipality of Treviso and the mayor Conte, «thanks to him we have entered the cluster of national theaters, but this is not a point of arrival. We are carrying out a change of mentality, we owe it to the public and to our members: at the center is the spectator who demands the quality of a national theater. With the help of the Municipality of Treviso and the guidance of Maestro Canazza for the musical part, we present a program that lives up to the expectations of our audience. But not only. Looking at European models and in tracing alliance strategies, we aim to create a platform in the Northeast to increasingly intercept cultural tourism. It is an ambitious long-term project ». Beltotto is satisfied: «The theater we took three years ago included Padua and Venice, now there is Treviso. In a year and a half, when my mandate expires, I will be leaving an economically sound theater with three partners and a theater that offers international performances. And in Treviso there is an added value, music ».
THE MUSIC
The director Canazza starts again from the Treviso glories, Mario Del Monaco and Toti Dal Monte: the inauguration of the opera season on October 16 is dedicated to the first, in the 40th anniversary of his revaluation of this great artist – he explains – on stage there will be many stars, Treviso and international, accompanied by the orchestra. In addition we will work together with his son Giancarlo, who intends to donate something to the city: it is not excluded that a museum itinerary in honor of Del Monaco“. And then, next to the “Rigoletto“In the new production directed by Emiliani and at”Troubadour“Led by Deda Colonna, who” complete the trilogy on Verdi started last year “, Canazza strongly believes in the” young “opera”The Capulets and the Montagues“By Bellini,” title linked to the competition Toti Dal Monte, I’m proud of it. A beautiful opera typical of Italian bel canto. A challenge for the competition, it was necessary to try a project for young voices. The jury chose only 2 of the 5 roles among the 70 voices that participated in the Toti Dal Monte (Giulietta and Tebaldo), now we will open the auditions to complete the cast of the opera, which will be staged in December ».
THE SHOWS
Despite the “bis” of Alessio Boni and Serra Yilmaz in the “Don chisciotte“, Moved to Treviso in 2019, the bill tries to satisfy all tastes, starting from an unexpected Alessandro Preziosi which re-reads “Othello from Cassio’s side” (November 12, out of subscription). Could not miss “Ghosts”, the latest co-production of the Stable with the National Theater, which he sees on stage Andrea Jonasson next to the castellan Fabio Sartor, directed by Rimas Tuminas (November 18-20). Maddalena Crippa he competes with Peter Stein in Pinter’s “Birthday” (December 9-10). Here again Moni Ovadia in his classic “Oylem Golyem” (December 16-18), followed by Mariano Rigillo in “Ezra in a cage. Or the Ezra Pound case ”in January 2023 (20-22), and by Boni“ Don Quixote ”(3-5 February). A breath of cheerful melancholy with Claudio Bisio, on stage from 24 to 26 February with “My life badly told”, followed by Agatha Christie as “Witness of the accusation” (3-5 March) directed by Geppy Gleijeses with the extraordinary participation of the artistic director of the Stabile Giorgio Ferrara. And after “Diplomacy” which sees Elio De Capitani face Ferdinando Bruni on the night of the liberation of Paris (March 31-April 2), here is the great Maria Paiato in “Boston Marriage” by David Mamet (14-16 April) directed by Giorgio Sangati, a theatrical masterpiece set in the USA at the end of the 19th century which sees two ladies and a waitress meet for an afternoon among friends. Closing in May (5-7) with Molière’s “Tartufo” in the adaptation by Paolo Valerio, with Giuseppe Cederna and Vanessa Garvina struggling with a society torn between materialism and fanatical spirituality.