“In the Deep South, we were lynching effigies of Elvis!”
Interviewed when he was still in the middle of editing his “Elvis”, Baz Luhrmann was talkative, passionate, enthusiastic. In the studio and in front of the videoconference camera that connected him to the QMI Agency, the filmmaker moved to the invisible rhythm of the King’s hits, wanting to communicate his feverishness and his excitement as … Read more