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Tokyo (AFP) – Self-proclaimed queen of Japanese hip-hop, Awich has many stories to tell, from her discovery of American rap as a rebellious teenager in Okinawa to the death of her husband in a shooting in the United States.
While her concerts in Japan are now drawing crowds, she wants to push her fans to ‘accept’ their own stories ‘because that’s what gave me the strength to face the world,’ she tells the AFP.
The 35-year-old, whose stage name means “Asian wish child”, has been rapping since school and started out in underground clubs in Okinawa, the southernmost department of Japan.
But she really broke through this year with the release of “Queendom”, her first album released under a major label (Universal Music Japan), photos for Vogue magazine and a concert at the famous Budokan in Tokyo.
The song that gave the title of her new album deals with her departure for Atlanta at 19, the violent death of her husband and the education of their daughter in Japan.
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This track “represents my life, compressed into a few minutes. So it’s an emotional back and forth, like a roller coaster, every time I perform”.
Inspired by Tupac
Onstage, Awich is brimming with cheerful confidence, her long ponytail swinging behind her back as she touts the “different energy” she brings to the Japanese music scene.
She also campaigns for the Black Lives Matter movement while breaking the stereotype of young Japanese girls “kawaii” (cute).
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Born Akiko Urasaki to a teacher father and a cook mother, she grew up between the deep spirituality of Okinawa – the vast old house of her childhood was surrounded by a cemetery – and American popular culture. imported via the strong military presence of the United States on the island.
His family was hard hit by the Second World War. His grandfather told him how, in the difficult post-war period, he sneaked into American bases to steal cans of soup and share them with the poor inhabitants of the island.
“Yet when you’re a kid (…) you see playgrounds on the bases, it’s colorful, it’s big and the people are open and friendly,” Awich recalled. “We have mixed feelings. This is Okinawa. Everything is a contradiction.”
A rebellious child, she frequently spends sleepless nights writing “all night long”. At 14, she came across a CD by American rapper Tupac, whose lyrics would deeply inspire her.
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Five years later, she moved to Atlanta to study. There, she marries an African-American who goes back and forth in prison. When he dies in a shootout, she finds herself distraught with their then barely three-year-old daughter, Toyomi.
“Mother and Sexy”
The return to Japan of mother and child is difficult. Awich says she faced “anger and grief” until her father explained to her that all Okinawans had lost relatives and friends in the war, but life had to go on.
“I felt that as an Okinawan I had to move on, and that’s the power that my father and all my ancestors in Okinawa gave me.”
Toyomi, now 14, raps a verse in the song “Tsubasa” (“Wings”) that Awich released in May to mark the fiftieth anniversary of Okinawa’s handover to Japan after the US occupation.
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The rapper wrote it after a US military helicopter window fell into the playground of her daughter’s school. “We want to break free and fly too,” say the lyrics, which describe “shadows above our heads” and “noise that blocks our words.”
Awich also knows that life in a predominantly homogeneous Japanese society “can sometimes become difficult” for people of foreign descent.
“My daughter is mixed-race Japanese and black. She had questions when she was younger, and we tried to answer them together. All the molds we were put in in the past don’t make sense today. “.
Being a woman also means that you “don’t have to be this or that. You can be motherly and sexy, outgoing and smart, creative and erotic. You can be all of those things at the same time.”
© 2022 AFP
Awich, an Okinawan who became the sensation of Japanese hip-hop