5 thrillers to watch if you liked “Daggers in the Back: Mystery of the Glass Onion”.

Daggers in the back: the mystery of the glass onionby Rian Johnson, became one of Netflix’s biggest hits. So much so that it occupies a privileged place among the most watched content in the history of the platform. But the thriller was also a demonstration that a sequel can be as witty and cool as the story it comes from.. Johnson has managed to craft a witty mystery and deliver a look at greed that astonishes with its mocking sense of humor.

Of course, this isn’t the first time a thriller about a mystery that must be solved against time and among multiple suspects has captured the public’s attention. From the beloved works of Agatha Christie and Sir Arthur Conan Doyle to the wide variety of popular cinematic thrillers over the decades.

The enigmatic murders, impossible robberies and puzzling criminal events captured the public imagination. Especially when the script has the good sense to appeal to the audience’s imagination and engage them in the experience.

Here are five thrillers you’ll want to see if you’re a fan of thrillers and mystery. Or if you are Daggers in the back: the mystery of the glass onion left you with the need for more stories like this. Stories that will test your mind and your ability to deduce in completely new and unique ways.

Losta thriller based on a top rated seller

David Fincher’s film, based on author Gillian Flynn’s bestselling book, has become a thriller classic. But in particular, one of the films that most elegantly dared subvert the usual murder mystery..

When Amy Dunne (Rosamund Pike) disappears without a trace, her husband Nick (Ben Affleck) appears to be the prime suspect. It’s inevitable after the police discover that the seemingly model husband is, in reality, a violent, unfaithful and unfaithful man.

Is it, in fact? For its second part, the screenplay of this thriller dares to break all the codes of murder and detective thriller. Like the book, it does not content itself with confronting suspicion with an unthinkable dimension. He also completely reconstructs the notion of victim and aggressor, in a fascinating, even overwhelming set of false clues.

For his last scenes, it is clear that Lost is more than a murder story. In fact, it is a look at the secrets that are hidden and the fears that lurk in violent intimacy. And if that weren’t enough, the painful spaces created by the worst and most unpredictable of criminals. A pearl of its kind that deserves to be revisited.

happy death

Tree Gelbman (Jessica Rothe) is the typical popular girl on the college campus, without a care in the world until she is murdered. To wake up and find that the bloody scene of his death was just a dream. At least, that’s what she’s convinced, until, once again, a killer wearing a terrifying toddler mask slashes her again.

This thriller uses the classic time loop trope in such an original way that, despite its script flaws, it’s ingenious. But it also does something else: it makes the main victim the only person capable of investigating his own death.

The device gives the happy day you died a bizarre game of macabre deadly situations. Tree must evade the killer pursuing her – and die each time in the attempt – as she attempts to uncover her identity. During this time, the last twelve hours of his life repeat themselves identically.

In the end, the premise of the thriller is far more thought-provoking than its vulgar conclusion. But overall, it’s a well-oiled mechanism of good plot decisions. At least, the ones that make a plot that could have been simply cliché more fun.

Another wonderful thriller: Games night

Max (Jason Bateman) and his wife Annie (Rachel McAdams) have a bizarre evening with friends. The principle of this night of pleasure? They must solve a murder thanks to the clues that an elaborate scene leaves in its wake. But everything becomes much more complicated when the couple and the rest of their acquaintances find themselves at the heart of a true crime. As if that weren’t enough, they won’t find out right away, which will make the situation even more chaotic.

One of the strengths of John Francis Daley and Jonathan Goldstein is to play with the dimensions of reality and fantasy. That’s something this thriller delves into with elegant black humor and a keen sense of provocation.. As the group of terrified and improvised investigators try to figure out what really happened, the storyline makes some smart decisions.

On the one hand, to continue the investigation in the uncertainty of trying to understand what happened. At the other extreme, confronting all sorts of private and marital dilemmas, as important as the crime. The result is a seemingly innocuous comedy that has multiple layers of dark cynicism. One that also incorporates crime as an excuse for its characters’ self-exploration.

A dangerous farewell

Philip Marlowe (Elliott Gould) is an investigator and the worthy heir to so many other movie characters. black. But he has a problem: he’s suspicious of anyone who doesn’t have a cigarette between their fingers. Reclusive in his attic with his grumpy cat, he doesn’t take on business as often as ten years ago. But despite this, he still has a brilliant mind of deduction.

That may be his only advantage when he finds himself in the middle of what appears to be a well-constructed trap. One that turns it into the only suspect in a murder in the middle of an inexplicable situation.. Marlowe must therefore not only prove his innocence, but also find the murderer of an unknown woman.

This Robert Alman thriller is a classic that uses the best elements of cinema. black in an imaginative and well-constructed way. Even better, it gives Marlowe’s character the ability to become the center of an increasingly complex plot. In its surprising final scene, the mystery is finally solved. But beyond that to prove that the script fooled the audience – almost as elegantly as the killer – for much of the movie.

Two dangerous types

In the 1970s, hitman Holland March (Ryan Gosling) just wants to be left alone. More precisely, to be allowed to assassinate skillfully without encountering major obstacles..

But, in what seems like an inexplicable twist of fate, March finds himself helping to investigate the disappearance of an unknown woman. Little does he know that what started out as a kind of well-meaning favor turns out to be something more dangerous.

Very quickly, March finds himself at the heart of the pornographic industry, its dangers, its risks and its limits. And if that wasn’t enough, trying not to get killed while trying to find the victim of what looks like a conspiracy. All this in twenty-four critical hours during which he must decide if fleeing is the option that could save his life or the opposite.

5 thrillers to watch if you liked “Daggers in the Back: Mystery of the Glass Onion”.